Showing posts with label South Australia. Show all posts
Showing posts with label South Australia. Show all posts

16 May 2008

Salix. Willow Creek Winery



The food here is so tasteless you could eat a meal of it and belch and it wouldn't remind you of anything.

Redd Foxx
(
American Comedian best known for his starring role on the television situation comedy Sanford and Son. 1922-1991)




What is it about dining in picturesque places? Why do the meals in rustic venues invariably not triumph over the surrounds? In the
Melbourne pantheon of super-league chefs, why is it - with the exception of George Biron and Herman Schneider - that consistently good chefs and staff seemingly have no desire to work beyond the city confines? To me it is illogical.



I can't see that their skills might be under-subscribed
out of town and successful regional chefs are often well feted. Take Steve Cumper's Vogue Entertaining & Travel award last year for 'Outstanding use of a Regional Product by a Chef' - an acknowledgement of his passion and skill, and for his outstanding efforts while at Peppermint Bay on the Huon Trail in Tasmania. And people flocked to Montalto Winery when Phillipe Mouchel was in residence, meanwhile the winery still trades off on this even though he now has his own venue at Crown.



It would seem that Galloping Gourmets seem willing to travel as far as Dunkeld for fine dining. Healesville is on the gourmet trail too, as is Rutherglen. And in addition to his celebrated Sunnybrae at Birregurra, George Biron's name pops up all over the place from Campaspe House in Mt Macedon, to Diggers Seeds cafe in the Mornington Peninsula and T'Gallant Winery in their sales pitches.



But all too often the majority of venues are a venture of style over substance, with fine buildings and vistas, but pretentious food that lacks flavour. It's like dining in Noosa, where the menus are festooned with laborious descriptions fit to enthuse the sophisticated punter, but which are undermined by the final, mediocre product that ends up on your plate. As I recall, a friend who had parents living there had remarked that one could also describe the locals with the same analogy.



Last November in the Barossa Valley, we had a surprisingly sublime meal at Appellation, on high ground at a Peppers resort, overlooking vine covered vistas. There was no publicity to be seen or heard of, yet at every winery we visited, I asked the same question - where's the best restaurant in the region? Every time the reply came back with a hushed reverence: "Appellation". So we went. They weren't wrong and the restaurant was full. It was definitely world class fine dining in a very fetching and productive part of the countryside. A rare gem indeed.



It was with this experience in mind that a friend who was with us on the
Barossa trip took us to Salix at Willow Creek Winery on Mornington Peninsula. Salix is the botanical name for the willow tree, and the environs in autumn are truly beautiful. The buildings interesting in their form and even a gloomy day did not dampen the overall first impressions of the venue.



At Salix the dining room is raised to take advantage of the vista of rising slopes of vineyards and trees. A curved glass wall hugs the space and draws the attention away from the pass to the scenery. The room is awash with white linen and diners sit relaxed, in deep cane chairs. The wine list is limited to the Winery's drops but that's not unusual. The service, although a little halting, was well meaning. The staff coped well with a full service on the day we visited, surprising considering that we were part of a large party, there for a late lunchtime seating.


I had no expectations, I just hoped for something pleasant. I know the friend who organised the lunch must have thoroughly enjoyed it on at least one occasion prior to our visit as they were very enthusiastic. So there is definitely a market for the kind of food served. But our friend's palate is possibly less educated than some.


The menu was short, which I thought was prudent. The use of local produce was flagged - thumbs up. But it did not feature any classic dishes. Instead, like a local fashion house that had plagiarised a season of Gucci exotica 2 years after they originally hit the racks, the menu read like a bunch of dated old frocks. Not so old as to be retro, but notably fashionable in recent history. As I said, it has a market.


Mr Stickyfingers and I have the same taste in food. It's one of the many things that cements our partnership. So we always swap our plates half way through, in order to enjoy twice as much from the menu.


We chose as entrees:

Confit Berkshire pork belly, jerusalem artichoke puree, ginger, fennel and ruby grapefruit...

**take a breath**

...and Pan fried thyme & potato gnocchi, cavolo nero, blue cheese marscapone, sage.



The food was technically proficient, the presentation good, even quite pretty. The pork belly skin was crisp. Sadly the meat was not super tender and was bland - as though they had forgotten to rub the meat with a delicious spicy salt prior to cooking. Along with the tasteless puree which lacked the expected nuttiness, the fennel had been shaved so thin as to make it virtually undetectable to the palate and the grapefruit too was more decorative than purposeful.


The gnocchi was golden and sweet but I couldn't detect the flavours of the herbs for the dominating strips of red onion. The wilted cabbage was oily and the gorgonzola was although delightful, a mere smear, making us wonder if they had run out and just scraped the dregs out for the dish. I needed more, much more.



Main courses:
Seared Yarra Valley Venison fillet, spiced Corella pear, savoy cabbage.



Again technically the execution was fine. The venison was tender and rare, the berries a surprise addition. But the overall taste of the meat and two fruit, was of nothing. The jus was neutral and the core ingredients were not flavoursome. They lacked spice, seasoning or character. OK, I admit that I am spoilt, eating either Hartdale Park or North Eastern venison on a weekly basis, so I know how good venison can be. Dragging my fork around the plate, I felt as glum as a bored toddler and hoped that the other main would be better.



Twice cooked half Bella Farm duck, parsnip puree, chestnut jus.



No luck here. It suffered the same affliction as the other dishes and the meat was dry and stringy. It served to push me down into a gloominess that rolled in like the autumn mist outside.


Dessert:
Charred fig & hazelnut semifreddo, preserved Ellisfield cherry sauce.



Held captive in a spun sugar cage, the figs were yummy as was the sauce, but I wasn't taken by the semifreddo which was super hard, tasteless and left a cloying, fatty coating in the mouth that was not broken by the sauce. I may as well have rubbed Vaseline on my teeth and gums.



Soft centred Belgium chocolate pudding, honeycomb nougat icecream & date sauce.



It's the kind of dessert that you can't refuse when there's a chill in the air, it evokes comfort. But this pud was on the dry side and lacked the expected gushing molten larvae of gooey, rich chocolate from within. The honeycomb icecream tasted slightly burnt - and I had assumed that it was burnt toffee - until I looked at the menu again. The date sauce served to anchor the tuile and made no contribution to the character of the dish.



Yes, style over substance reigns here. For a moment I thought that my Super Bug had returned to rob me of my palate. But in the car on the way home, Mr Stickyfingers explained that he had exactly the same reaction to the dishes. He concurred that we were exceptionally fortunate people, who had enjoyed better food, many times over and even sometimes at home.



I feel that Salix could be so much better. I would love to see Bernard McCarthy offer some simple classic dishes, done well and to stop approximating a turn of the century St.Kilda restaurant. Then, perhaps he should enjoy a tasting trip into town to see what is exciting diners these days, in order to build upon it. That done, the kitchen brigade might attract more attention than the view.



But perhaps, just perhaps, the clientele are not there for the food. And possibly it's the circumstance and the perceived modernity of the venue in a rustic setting that draws them in....oh, and the ability to use their trusty Entertainment Card for a discount meal after a weekend drive out of town?



As I watched the scrubby paddocks of the peninsula whiz past the car window, I wondered whether Chef/Owner Bernard McCarthy had recently lost his palate to a super bug too?



Salix at Willow Creek Vinyard

166 Balnarring Road, Merricks North, Vic. Australia
Phone: +61 3 5989 7448





09 November 2007

Maggie Beer's Kitchen


Things that make my kitchen special

by Maggie Beer
  • My red gum chopping boards
  • My rolling pin with ball bearings in the end
  • My long marble bench
  • My very old refrigerator – 2 door stainless steel that was made obsolete from the Pathology Department at the University
  • My coffee machine and coffee grinder
  • My iron pot hanger
  • My oscar food processor
  • A Zester that really works
  • My truffle shaver for that trip to Italy every now and then
  • Stainless steel sets of measuring cups and spoons
  • An Alessi timer



I dip a tiny little plastic ice cream spoon into a plastic pot. Salmon, cream and dill wash over my palate: go-ood. Another spoon, another pot: star anise and duck livers melt in my mouth leaving a smooth burgundy piece of agar with no flavour.


It’s 1.45pm on a Sunday in the Barossa Valley. Seventy people are crowded into Maggie Beer’s Pheasant Farm Shop provedore overlooking her dam. The sky is dark and the venue seems over run by buxom women of a certain age with short funky hair cuts and kooky glasses, some holding fort behind the counter, while others ride the crush of the room, tasting, reading jars and bottles, and flipping through Maggie’s latest cookbook. Clearly all are Maggie Beer Groupies.


At the bare wooden tables families sit with samplers of the simple fare on offer consisting of pastry, pậtés and terrines prepared by Maggie’s team. I wander, I look, I taste. Nothing new, everything here is available at my usual providores back home for cheaper than the prices marked here.



As we leave, a member of the staff announces that a cooking demonstration will be held next door and the women in our group are sucked back through the dense crowd into the newly opened vacuum that is Maggie’s kitchen studio, the place where filming of her cooking show ‘The Cook and the Chef’ with Simon Bryant, Executive Chef of the Adelaide Hilton, takes place. This is the room that replicates Maggie’s home kitchen for the purposes of taping the TV show. Instead of overrunning the Beer household, the studio space allows for the dozen people that make up a television crew for twelve hours of shooting in one session, in relative comfort and convenience.


Andrew, the staff member in Chef’s blacks, leaves the room to hustle for more attendees. Mr Stickyfingers wanders in with his mates, and leaping off my plywood stool I hand him my camera, race behind Maggie’s counter and pose for a few photos. When Andrew re-enters and assumes his position to give us the hard sell on verjuice, he tells the rest of the assembled audience that they are welcome to do likewise after the demonstration.


For me the buzz is just to be in this kitchen. I love the play of eccentricities and clash of cooking styles that the TV show brings to light. As a Eurasian raised on fine dining, Asian, Fusion and rustic Hungarian cuisine, I see my cooking style as encompassing both Maggie and Simon’s idiosyncratic leanings and I hungrily devour the shows regardless of whether there is any knowledge they can impart that I have not already been exposed to. The interplay of personalities is what carries me enthralled through their half hour session.


But here, in the studio, I find the class a huge yawn. It is evident that this is a selling tool for Maggie’s products and would most probably have lasted longer than ten minutes had Andrew been equipped with the appropriate selling tools of ‘Vino Cotta’, olive oil etc, etc. To his credit Andrew gives her latest book a good plug and tells us that the fabric covering is Scotchgarded against kitchen spills.


He goes on to enlighten us that since the launch of the book last week, Maggie is on an exhaustive 5week promotional tour, including an appearance on Kerrie-Anne Kennerley. Mr Stickyfingers jokes to the class that she is elbowing Kevin Rudd out of the way at election campaign trail engagements, receiving a rumble of laughter from the room.


As Andrew roasts tiny pieces of fennel and tosses Swiss brown mushrooms through buerre noisette and splashes them with verjuice, my eyes drift unattentive of his efforts, distracted by the ABC TV Art Department’s dressing of the set. I see Kylie Kwong’s books on the shelf, artfully arranged Fowler’s Vacola bottles of preserved stone fruit and tomatoes, a large mixing bowl, utensils hanging from a range hood, jars of wooden spoons, bowls of nuts and garlic and a vase of fresh flowers. The sunny yellow walls are lit with a rig left behind by the film crew, to give - at Maggie’s suggestion - a more theatrical feel to the ensemble.




Again I am immune to the charms of the arrangement, having spent 20 years on photographic TV and film sets, but I am fascinated by both the attention to detail and the styling of the scenario. The rustic stripped cornflower blue shelves filled with jars, antique ceramics, jelly moulds and knick-knacks to the right are a cute touch, offsetting the yellow, cream and black surfaces, and the dark granite modern counter that has taken the place of Maggie’s long wooden kitchen bench at home.


On an old kitchen table - painted cream - are a bowl of hazelnuts sitting companion to an old set of scales that appear to be purely decorative. I stare at the French doors that Maggie escapes through when Simon cooks off Chilli at ferocious temperatures and study the tiles under the rack of hanging utensils, which have taken the place of the rack of pots and pans, which hang over the centre bench in Maggie’s home kitchen.


Suddenly the cooking demonstration is over and the class swarms toward the granite counter to sample the fennel and mushrooms. The greediest of the viewers nudge their way in and linger, hovering to eat piece after piece, while behind them others are champing at the bit. My beloved and I play model and photographer again, until sighting another in our party with itchy feet we are forced to tear ourselves away.


Maggie’s marketing machine is still in full flight as we leave and the tourists are swarming for goodies they can most probably pick up closer to home. Some lament her decision to close her restaurant while others look at the chalkboard thinking that they couldn’t face yet another of The Barossa’s ubiquitous tasting platters.

We move on to Blond’s in Anguston - a slice of the city that takes advantage of the fantastic local produce - in a cute, rustic town. As well as being yet another regional provedore selling sublime Carême Pastry (Stephanie Alexander declared that she’d never make puff pastry again after trying their All Butter Puff Pastry made with unsalted Belgium butter), local Germanic smoked meats and small goods, pasta, Ortiz Anchovies, hand made pastas and the inevitable jars of pickles, jams, sauces etc they incorporate these goodies into their small menu.

Blond’s serves excellent coffee, cake, brekkie and light meals. It is here we finally take the edge off our hunger with simple dishes made with exceptional local produce, resting our palates after a rigorous morning that saw us sampling over 20 wines and looking for an afternoon siesta.


Blond Store & Coffee, 60 Murray Street, Angaston, South Australia



Maggie Beer’s Pheasant Farm Shop
Pheasant Farm Road - off Samuel Road, Seppeltsfield, South Australia



08 November 2007

Maggie Beer's Kitchen

Things that make my kitchen special

by Maggie Beer

  • My red gum chopping boards
  • My rolling pin with ball bearings in the end
  • My long marble bench
  • My very old refrigerator – 2 door stainless steel that was made obsolete from the Pathology Department at the University
  • My coffee machine and coffee grinder
  • My iron pot hanger
  • My oscar food processor
  • A Zester that really works
  • My truffle shaver for that trip to Italy every now and then
  • Stainless steel sets of measuring cups and spoons
  • An Alessi timer

I dip a tiny little plastic ice cream spoon into a plastic pot. Salmon, cream and dill wash over my palate: go-ood. Another spoon, another pot: star anise and duck livers melt in my mouth leaving a smooth burgundy piece of agar with no flavour.

It’s 1.45pm on a Sunday in the Barossa Valley. Seventy people are crowded into Maggie Beer’s Pheasant Farm Shop provedore overlooking her dam. The sky is dark and the venue seems over run by buxom women of a certain age with short funky hair cuts and kooky glasses, some holding fort behind the counter, while others ride the crush of the room, tasting, reading jars and bottles, and flipping through Maggie’s latest cookbook. Clearly all are Maggie Beer Groupies.

At the bare wooden tables families sit with samplers of the simple fare on offer consisting of pastry, pậtés and terrines prepared by Maggie’s team. I wander, I look, I taste. Nothing new, everything here is available at my usual providores back home for cheaper than the prices marked here. I want to visit the pheasants but a member of our party is desperate to leave, hungry and irascible - an inevitable consequence of a big session of wine tasting sans spittoon.

As we leave, a member of the staff announces that a cooking demonstration will be held next door and the women in our group are sucked back through the dense crowd into the newly opened vacuum that is Maggie’s kitchen studio, the place where filming of her cooking show ‘The Cook and the Chef’ with Simon Bryant, Executive Chef of the Adelaide Hilton, takes place. This is the room that replicates Maggie’s home kitchen for the purposes of taping the TV show. Instead of overrunning the Beer household, the studio space allows for the dozen people that make up a television crew for twelve hours of shooting in one session, in relative comfort and convenience.

As Andrew, the staff member in Chef’s blacks, leaves the room to hustle for more attendees, Mr Stickyfingers wanders in with his mates, and leaping off my plywood stool I hand him my camera, race behind Maggie’s counter and pose for a few photos. When Andrew re-enters and assumes his position to give us the hard sell on verjuice, he tells the rest of the assembled audience that they are welcome to do likewise after the demonstration.

For me the buzz is just to be in this kitchen. I love the play of eccentricities and clash of cooking styles that the TV show brings to light. As a Eurasian raised on fine dining, Asian, Fusion and rustic Hungarian cuisine, I see my cooking style as encompassing both Maggie and Simon’s idiosyncratic leanings and I hungrily devour the shows regardless of whether there is any knowledge they can impart that I have not already been exposed to. The interplay of personalities is what carries me enthralled through their half hour session.

But here, in the studio, I find the class a huge yawn. It is evident that this is a selling tool for Maggie’s products and would most probably have lasted longer than ten minutes had Andrew been equipped with the appropriate selling tools of ‘Vino Cotta’, olive oil etc, etc. To his credit Andrew gives her latest book a good plug and tells us that the fabric covering is Scotchgarded against kitchen spills.

He goes on to enlighten us that since the launch of the book last week, Maggie is on an exhaustive 5week promotional tour, including an appearance on Kerrie-Anne Kennerley. Mr Stickyfingers jokes to the class that she is elbowing Kevin Rudd out of the way at election campaign trail engagements, receiving a rumble of laughter from the room.

As Andrew roasts tiny pieces of fennel and tosses Swiss brown mushrooms through buerre noisette and splashes them with verjuice, my eyes drift unattentive of his efforts, distracted by the ABC TV Art Department’s dressing of the set. I see Kylie Kwong’s books on the shelf, artfully arranged Fowler’s Vacola bottles of preserved stone fruit and tomatoes, a large mixing bowl, utensils hanging from a range hood, jars of wooden spoons, bowls of nuts and garlic and a vase of fresh flowers. The sunny yellow walls are lit with a rig left behind by the film crew, to give - at Maggie’s suggestion - a more theatrical feel to the ensemble.


Again I am immune to the charms of the arrangement, having spent 20 years on photographic TV and film sets, but I am fascinated by both the attention to detail and the styling of the scenario. The rustic stripped cornflower blue shelves filled with jars, antique ceramics, jelly moulds and knick-knacks to the right are a cute touch, offsetting the yellow, cream and black surfaces, and the dark granite modern counter that has taken the place of Maggie’s long wooden kitchen bench at home.


On an old kitchen table - painted cream - are a bowl of hazelnuts sitting companion to an old set of scales that appear to be purely decorative. I stare at the French doors that Maggie escapes through when Simon cooks off Chilli at ferocious temperatures and study the tiles under the rack of hanging utensils, which have taken the place of the rack of pots and pans, which hang over the centre bench in Maggie’s home kitchen.


Suddenly the cooking demonstration is over and the class swarms toward the granite counter to sample the fennel and mushrooms. The greediest of the viewers nudge their way in and linger, hovering to eat piece after piece, while behind them others are champing at the bit. My beloved and I play model and photographer again, until sighting another in our party with itchy feet we are forced to tear ourselves away.


Maggie’s marketing machine is still in full flight as we leave and the tourists are swarming for goodies they can most probably pick up closer to home. Some lament her decision to close her restaurant while others look at the chalkboard thinking that they couldn’t face yet another of The Barossa’s ubiquitous tasting platters.


With the ire of ‘the hungry one’ rising quickly, we move on to Blond’s in Anguston - a slice of the city that takes advantage of the fantastic local produce, in a cute, rustic town. As well as being yet another regional provedore selling sublime Carême Pastry (Stephanie Alexander declared that she’d never make puff pastry again after trying their All Butter Puff Pastry made with unsalted Belgium butter), local Germanic smoked meats and small goods, pasta, Ortiz Anchovies, hand made pastas and the inevitable jars of pickles, jams, sauces etc they incorporate these goodies into their small menu.


Blond’s serves excellent coffee, cake, brekkie and light meals. It is here we finally take the edge off our hunger with simple dishes made with exceptional local produce, resting our palates after a rigorous morning that saw us sampling over 20 wines and looking for an afternoon siesta.

Blond Store & Coffee, 60 Murray Street, Angaston, South Australia


Maggie Beer’s Pheasant Farm Shop,
Pheasant Farm Road - off Samuel Road, Seppeltsfield, South Australia